I’ve been hesitating as to whether to post about my visit to the British Museum on Thursday. Obviously I am no art critic, have no training in art and very little knowledge on the subject and even less knowledge about Grayson Perry himself so this is just my own personal comment. When I first heard about “The Tomb of the Unknown Craftsman” I was very excited to see it.
I had no idea what to expect but the thought of choosing artefacts, items made by craftsmen and women over the decades, centuries and millennia, from the vast archive of the British Museum had overwhelming appeal for me. Put together with recently crafted pots and tapestries and what I believe are called installations for me the mix was a huge success. I loved it!
We’ve had A History of The World in 100 objects and Our Top Ten British Treasures and now we have a kind of temporary memorial to all of the unknown craftsmen and women whose work has been collected by the museum – or donated to it – over the centuries of its existence.
The exhibition is divided into themes such as Shrines, Journeys, Magick, Maps, Souvenirs of Pilgrimage, Sexuality and Gender, Scary Figures and Patina and Texture. I think I’ve remembered them correctly.
There is Grayson Perry’s teddy bear Alan Measles in his own shrine on the back of GP’s motorcycle. There was a radio programme about the journey they made to Germany on the bike on Radio 4 last November.
No photography is allowed inside the Exhibition but I did take a few notes of GP’s comments on some of the themes that most interested me.
On the topic of Journeys he says :
“The “journey” has become a tired metaphor of reality TV describing a transformative experience. I come on a journey every time I visit the British Museum. I enjoy idealised foreign travel in my head. Walking from my house in WC1 within 20 minutes I can have an encounter with the world.”
You may have thought the title of this post included a typing error but it is intentional because GP and many of us see The British Museum as a Tomb to Unknown Craftsmen. A pot by Perry on display is called “A Walk in Bloomsbury”.
On Maps he says :
“We trust maps. Maps are meant to be a trustworthy diagram of reality. All maps though contain some very human bias. They emphasise desirable features and leave out the undesirable. I like maps of feelings, beliefs and the irrational, they use our trust of maps to persuade us that there might be truth in their beauty.”
I have always loved maps and was delighted see a copy of a book recommended to me by a friend and which has long lain in my Amazon shopping basket: You are here : personal geographies ; by Katharine Harmon. A fabric map by Perry fills one wall – to see it at its best wait until you have moved into the next room and view it through a hatch in the wall.
On Souvenirs of Pilgrimage he says :
“We all make journeys to see places or people that are significant to us. It is natural to want a keepsake of the trip to remind ourselves and show others. Pilgrims usually travel light so the souvenir may only be a badge, a photo or a signature.”
I was delighted to see masses of badges collected over the years by the British Museum. Even such ephemera has a role in the exhibition. I smile because I have a box full of badges up in the attic.
This final quotation has a resonance for me too. I’m a great visitor to churches on my travels. On the subject of Scary Figures Perry says :
“We have always had images at gateways to warn and protect. Cathedrals had carvings over the doors showing the Last Judgement and the damned going to hell – now we have CCTV.”
To find out more there’s a book that accompanies the exhibition (of course) and here’s a link to the exhibition in pictures :
Grayson Perry’s Tomb of the Unknown Craftsman – in pictures
In the end I didn’t buy a souvenir but I saw three books which will go on my library suggestions list :
50 British Artists you should know, by Lucinda Hawksley
You are here : personal geographies ; by Katharine Harmon.
I’m so pleased you enjoyed this exhibition. Grayson Perry is one of the few contemporary artists who I really appreciate and I hope to see this exhibition. You may be interested to know that Alan Measles has a blog of his own!
Ha! Kindred Spirits, indeed. Yes, I did peep at the AM Blog and have enjoyed looking through all the stuff about the exhibition and selecting for my post. Many reviews were so disparaging though I’m glad I read them after my visit.
Oh thank you for this Barbara, I’m in London next week so will see if this is still on as I’m staying right by the BM. I love Grayson Perry, he was at Port Eliot last year and I got a real sense of what the frocks were all about (well partly!) he really is like a walking art exhibit and I can imagine them all gracing the V&A in years to come. And inside this oversized toddler image was an ordinary grumpy man (on that day) and I had been expecting something camp and affected, but not at all.
I think it is on until February, Lynne. Many reviews have been quite disparaging – but what do I know?? I do hope you have a good trip too.
I have a copy of You Are Here, I wonder where it is?
must go find it…
Really, though, you can draw a map of anything, even ideas. Have you ever heard of mind mapping?
Perhaps you need a map to help you to find it, Sherry 😉 . Yes we had a course on Mind Mapping at work once. Thank you for dropping by again.
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