Our first port of call of arrival in Hull was the newly reopened and freshly renovated Ferens Art Gallery. After coffee we visited each gallery but no photography is allowed. There’s a very good permanent collection for a provincial gallery, the Freud, Mueck, Tunick SKIN show had us mesmerised (I’d seen Muick’s Wild Man at Belsay Hall in 2010 as part of the Extraordinary Measures show) and my favourite display was Rembrandt’s The Shipbuilder and his Wife and related paintings. The Rembrandt lent by Her Majesty The Queen. Masterpieces from the Royal Collection will see five exceptional works of art travel from Windsor Castle and Buckingham Palace between 2017 and 2021 as part of a five-year partnership between the Royal Collection Trust and Ferens Art Gallery. I hope I am able to revisit during this time to see more.
Today I’m taking a break from my travel posts because yesterday I travelled to Liverpool to meet a friend. The main purpose for the expedition was to visit the Tate Liverpool to see the German Expressionist show on the fourth floor.
Some months ago I snipped this out of the Weekend Financial Times Life and Arts section :
Tuesday was the only day we left the immediate surroundings of Ramsgate and we drove just five miles away to Margate to the recently opened and much acclaimed Turner Contemporary. We parked nearby and paid for three hours in the car park thinking that would be quite long enough to see the Gallery (as we are not into modern art), walk along the front and the Harbour Arm (jetty) and investigate the town centre. In the end we spent over two hours in the Turner, including a quick bite to eat in the airy cafe, and had quick walk to the end of the Harbour Arm for a view of the gallery and a breath of fresh air. It was a 10 minute walk back to the car park and we realised that we had Landmark Withdrawal Symptoms and drove straight back to the Presbytery to build up the fire for the evening.
As I’d decided to spend most of the day at The Hermitage I bought the full price ticket (no reductions for pensioners!) and after a tasty lunch of pumpkin soup and apple pie I headed for the other show. There’s no permanent collection, as far as I understand but the Golden Age portraits are showing for an extended period.
O Brave New World that has such people in it!
Can I really have been have jotting down notes about my travels and interspersing the notes with my photos for five years already? I’ve just been looking back at my post about Capability Brown at Harewood and am amazed to see that the date was October 2011. My first post was dated 20 August 2011. And I’m stunned to see that that was five years ago to the day! Well I never.
A third gallery space on the first floor of York City Art Gallery is given over to the Artist in Residence. The first artist appointed to this task at the newly reopened Gallery is Mark Hearld and I really loved his choice of topic.