Thus wrote Humphry Repton in his “The landscape gardening and landscape architecture of the late Humphry Repton, esq. : being his entire works on these subjects”; edited by J. C. Loudon. [London : Printed for the editor, and sold by Longman, 1840.] I think he meant that it was nestled in the shade of majestic trees and landscape. Or something like that.

I wasn’t staying at the Endsleigh Hotel. Oh no, I had the good fortune to be invited to join my Landmarking friends at Pond Cottage one of two Landmark Trust properties in the grounds of Endsleigh House.

“A purposely Rustic cottage designed by Jeffrey Wyatville beside a pond, Pond Cottage is set within the ornamental gardens of Endsleigh with its streams and cascades.  Endsleigh is still a complete example of that most imaginative and English taste, the Picturesque.  Pond Cottage has a Rustic porch, with tree-trunk columns and cosy rooms.” [Source]

Rustic Porch

Cosy Sitting Room

Pond Cottage and its surroundings had, and still has, all the quintessential ingredients of the 18th and early 19th century Picturesque landscape. Here at Dairy Dell are the favoured ingredients of such a landscape – water, both moving and still; splendid trees; antiquity, represented by the well and its inscription; rural industry, the Dairy itself.

Moving Water

Still Water : The Pond

The Ancient Well with inscription stone on the left

The Dairy

“Facilities & features : there is a sunny loggia for outside dining and you can fly-fish in the pond. The tiny model Dairy stands nearby, from whose verandah you can enjoy spectacular views.” [Source] I enjoyed reading the cottage fishing diary where fishermen young and old made comments on their success, or lack of it, when fishing the Pond.

“Pond Cottage has a Rustic porch, with tree-trunk columns and honeysuckle, and cosy rooms. The Dairy, which had to be rescued from the undergrowth, is perched on a knoll above, a cool chamber of marble (a local variety) and ivy-leaf tiles. From its verandah, ‘embosomed’, as Repton put it, ‘in all the sublimity of umbrageous majesty’, you may open yourself to those keen responses to the surrounding scene that were so carefully planned by its creators – while contemplating the making of a very superior butter.” Source

Inside The Dairy : The Ivy Tiles

Close-up of the tiles. During restoration Kate Evans a potter from Shropshire who specialises in reproducing old glazes made copies to replace irreparable broken tiles.

The Ivy Pattern Repeated in the Pond Cottage Crockery (Wedgwood Napoleon Ivy Design as used by Napoleon at St Helena 1815)

Real Live Endsleigh Ivy