One of the Cornish days was just spent around and about Penzance. With a day visit from Lynne (dovegreyreader) we all three enjoyed a lovely sunny visit to Penlee Gallery “The artistic heart of West Cornwall’s history”. There’s a nice cafe where we had lunch before wandering around the galleries.
Since my school days I’ve been fascinated by Mary Queen of Scots and always hoped to visit Fotheringhay in search of her final days and place of execution. Staying near Peterborough in February gave me the opportunity I’d been hoping for. So, from wet and windy Little Gidding I headed north via windy narrow lanes to the long, but attractive, village of Fotheringhay just over the border in Northamptonshire.
This week I’ve been staying at lovely Lynch Lodge in the sleepy village of Alwalton, right on the edge of the city of Peterborough.
“Lynch Lodge was re-erected around 1807 as a rather grand entrance to the three mile long drive to Milton Park, which was then owned by the Fitzwilliam family. It had been moved from the Drydens’ house at Chesterton when their house was demolished. So, the taller part of the Lodge predates the rest of the building by some 200 years when it stood as a Jacobean porch further away. Families who inhabited the Lodge would have done so to primarily serve the owners of the estate by opening and closing the gates.”
The Yorkshire Sculpture Park is a great place for a walk with added interest but today my focus was to get to see the Ed Kluz exhibition in the gallery and main building. It poured with rain all the way there from Leeds but upon arrival the sun came out and the day was dry. Nevertheless I didn’t stray far into the park on this occasion. I have two further visits planned in March and April.
“Ditchling Museum of Art + Craft presents the story of outstanding artist, designer and typographer Elizabeth Friedlander. The work of Friedlander (1903-1984) is instantly recognisable as mid-20th century design at its best, but few will know the name behind the art. Best known for her Penguin book covers and Bauer Type Foundry typeface ‘Elizabeth’, the exhibition touches on her escape to London from 1930s Nazi Germany, friendship with her sponsor – poet and printer Francis Meynell – and her work with a wartime British black propaganda unit. The show includes rarely-seen works from the artist’s compelling career including type design, wood engravings, decorative book papers, maps and commercial work.
A few weeks ago I read an article in the latest Art Fund Quarterly magazine about the beautiful calligraphy and design work of Elizabeth Friedlander. As I read I realised that the venue for the exhibition of her work was The Ditchling Museum of Art and Craft in East Sussex. I remembered that friend (and regular commenter here) Fran, had recommended me to stop at this museum on my journey to Laughton Place back in 2014. In the end the traffic hold-ups in London meant that time was pressing and I would have insufficient time to do a visit justice. Upon realising that Ditchling was not a million miles from Godalming, where I’m pug-sitting this week, I suggested meeting Fran there and seeing the exhibition in good company.