“A Delicate French Chateau Mirrored in a Massachusetts Pond” : A House Tour of The Mount

Note and acknowledgement : All sections in italics are taken from the leaflet Welcome to the Mount : Self-Guided Tour

GROUND FLOOR

In my last post the tour group had just arrived in the Entrance Hall. Just as the forecourt was designed to be an extension of the house into the landscape, the entrance hall was an extension of the landscape into the house. It was conceived as a grotto, or artificial cave, with stylized plaster-work simulating mossy walls and dripping water.

MAIN FLOOR

GALLERY

The Gallery was inspired by similar rooms Wharton had admired in Italy. It is essentially a circulation space, allowing separate access to all the surrounding rooms and cross ventilation in the heat of summer. Here Wharton displayed a collection of Objets d’Art from her travels.

TEDDY WHARTON’S DEN

This room was Teddy Wharton’s office. A bookcase displays treasures from Mrs Wharton’s book collection, which can be viewed in the Library through the “hidden” doorway. It maintains original hardware (ordered from France), mirror, marble fireplace, cast-iron fireback, French doors and parquet floor.

EDITH WHARTON’S LIBRARY

The design of Wharton’s library follows recommendations in ‘The design of houses’ that the primary decoration of a library should be its books [I can’t argue with that!], and that the shelves be organic built into the walls rather than freestanding furniture. The panelling is oak.

Although Wharton is photographed several times sitting at her desk, she actaully did most of her creative writing in her bedroom. The library was a place for solitary study, or for entertaining close friends with readings before the fire.

The books on the shelves are Wharton’s own, having returned to The Mount in January 2006, after almost a century in Europe.

DRAWING ROOM

The largest room in the house (36ft x 20ft) it also the only room with an elaborate ceiling treatment, which was completely recreated in 2002.

The room features a beautiful French marble mantel with cast-iron fire-back depicting Abraham’s sacrifice of his son Isaac. The terrazzo floor was covered by a carpet, probably an Aubusson from France.

Books in the Drawing Room

DINING ROOM

The one photograph of the dining room in the Wharton’s time reveals a round Victorian table with white-painted French armchairs. A cushion under the table was provided for a favourite dog. This has been recreated today. It is an intimate space that bears no relation to the dining tables in all the many other stately homes that I have visited. Attached to the back of each chair is a label indicating who was sitting there enjoying Edith’s food and wine and, above all, her stimulating company.

BEDROOM FLOOR

HALL

The hall, which is approximately 95 feet long, was decorated plainly in Wharton’s time, in keeping with her belief that a hall was principally a passageway and not a living space.

WEST GUEST SUITE

The suite of two adjoining rooms on the western, or forecourt [courtyard], side of the house was probably used by Wharton’s married guests.

HENRY JAMES GUEST SUITE

The novelist Henry James was Wharton’s most honoured guest, and it is likely that he stayed in this, the best guest room during his three visits to The Mount. James was deeply impressed by the beauty of the estate, which he called “a delicate French chateau mirrored in a Massachusetts pond”, and by the Whartons’ hospitality.

TEDDY WHARTON’S BEDROOM SUITE

Just as Teddy Wharton’s den is smaller than his wife’s library, so is his bedroom suite smaller, as if to emphasise his secondary position in the household.

EDITH WHARTON’S BOUDOIR & BATHROOM

Wharton’s boudoir, or sitting room, is the most elaborately decorated room on the bedroom floor. It is dominated by eight floral still-life paintings set into the panelling, which came from Milan in Italy. Original furnishings included a desk, a sofa, and a daybed, with curtains and upholstery in Toile de Jouy. The original paint colours have been restored, and the room will soon be furnished as it was in Wharton’s time.

EDITH WHARTON’S BEDROOM

This room was decorated simply; the treatment “most fitting” for a bedroom.

Wharton did most of her writing here; she would awaken early and write in bed, dropping the finished pages to the floor to be collected later for typing by her secretary.

Other rooms included a sewing room, closet for Mrs Wharton’s dresses, a butler’s pantry, a brush room for cleaning shoes and outdoor wear, offices for household management, kitchen, scullery, servants’ dining room and laundry – now the Book and Gift Shop.

Every effort has been made to make the visit enjoyable and informative with the added touches of flowers and books relating to the decoration of this and any house and appreciation of those who have been involved in bringing the house back to life again as nearly as possible as it would have been during Edith Wharton’s time. The renovations and improvements are ongoing.

The Decoration of Houses : a Visit to Edith Wharton’s New England Home : The Mount

Oct3

There will be some readers here who know very much more about Edith Wharton than I do and who will have read many more of her books than I have but for many years I have wished to visit her home The Mount in western Massachusetts. I have a collection of newspaper clippings about the house, its renovation plans and about her library of 2,600 volumes that finally arrived back at her American home in 2005 after 100 years spent in Europe.

On 14 September, the day we left Naulakha, we arrived in Lenox, the location of The Mount, and after a delightful lunch on the tree-lined main street we set off to find the house. It’s a little way out of town but handily placed just off the Highway. But once dropped off at the ticket office I was in another world of peace and comfort a million miles from the roar of traffic.

That Friday was the start of a weekend-long Wordfest a literary festival of writers and readers the first talk due to begin at 5pm. I’d checked this out in advance and been told that although the house would remain open to the general public there would be no guided house tours. Luckily, I arrived with minutes to spare before the final house tour of the week.

We assembled at the back of the house in a courtyard, which that day was covered with an awning to protect Wordfest members from either sun or rain, to be told about EW’s plans to build The Mount and their execution. As I heard more and more about this remarkable woman throughout the afternoon I began to think that here was another American polymath about whom I knew only the merest facts and of whose literary output I have read very little. (But I have seen several of her films!)

Edith Wharton collaborated with architect Ogden Codman to produce her first book The Decoration of Houses. Published in 1897 it was a denunciation of all the excesses of Victorian interior decoration and a plea for a return to classical proportions, harmony and simplicity. She designed and built The Mount according to these principles. She was able to move in in 1902 and spent the summers and autumns between 1902 and 1911 at the house (the rest of the year she lived in France). By 1911 her marriage to Teddy had failed and she moved to live permanently in France. That year the house was put on the market.

From the courtyard (which was to serve as a bridge between the outside of the house and the inside) we went in at the back door. The entrance hall was planned to bring the outside into the house. It was conceived as an artificial cave or grotto with statues and fountains. Here visitors wishing to see the great novelist had to wait to know whether they would be admitted to her presence or not. It was here that we learned that The Mount was modelled on the English 17th century Palladian-style Belton House in Lincolnshire and on neo-classical Italian and French examples.

Next time I will take you on a tour of the house but just now I want to show you what a lovely lovely place it is. After the tour free access is allowed throughout the house and grounds. There are room stewards handily placed who are able to answer any questions and Information Boards in every room.

Photography is allowed everywhere. There is a great gift and book shop in the basement scullery.

Some of the many book displays in the shop

Teas and other refreshments are served on the terrace and you may sit at tables on the front lawn.

The View and A Terrace Tea Table

The house from my terrace tea table

There are two interesting and entertaining exhibitions on the second floor.

and

You may walk around the estate and the gardens and even visit the mound where her beloved dogs are buried.

There’s a further exhibit in the Stables but these were being prepared and were already receiving the Wordfest participants.

The Stables

All in all my time there was too short to take it all in and I’m definitely up for another visit if I can manage to pass by again in future. Because of the Wordfest event I decided not to return that same weekend.

The Landmark Trust USA and The Scott Farm, Dummerston

Oct2

There is much more to The Landmark Trust USA than Naulakha!

Based at The Scott Farm on Kipling Road, Dummerston, VT the Trust owns three other rental properties and plans to renovate a further one. The Scott Farm itself operates a Heritage Apple growing farm that covers 626 acres. It has been planted with orchards producing over 70 varieties of organically grown apples, plus some other fruits, peaches for example. The apples are marketed through whole food shops throughout Vermont and selected markets in Massachusetts.

Scott Farm Heritage Apples in the Brattleboro Food Co-op

A Tale of Bliss and Tragedy : Rudyard Kipling in Vermont, 1892-1896

Oct1

Naulakha has been wonderfully restored and there are a great many original furnishings and fittings, as I have mentioned already. In addition there is a barn set out like a museum with Kipling-related artefacts and display cases in the second floor attic showing some of the smaller stuff.

Bliss Cottage as it stands today on the opposite side of the road from that upon which it stood in Kipling’s day

I imagine that the Bliss in the title must come from the name of the cottage in which the Kiplings lived, just down the road in Brattlebooro, whilst Naulakha was being built and where baby Josephine was born but also from the fact that Rudyard states that his Naulakha days were the happiest of his life. His second child, another daughter, Elsie, was born at Naulakha.

The Barn Museum – exterior

Note the very strong connection with British Landmark Trust. All of their properties abroad – in France, Italy and Naulakha – have British connections.

The Barn Museum – interior

Kipling invents Snow Golf

In the attic are a set of Rudyard Kipling’s golf clubs. These must once have stood in the Entry Hall or Loggia as the House Tour states :

The golf clubs and rack are Kipling’s also. According to the United States Golf Association, Kipling invented “snow golf” here in Dummerston.

The giant sled, “Red Phaeton”, stands in pieces in one of the abandoned horse boxes.

The Barn Museum really puts the story of the Kiplings and their time at Naulakha into perspective. Mostly it’s told on storyboards with copies of illustrations and typed out quotations.

There is more memorabilia in the Attic Display Cases. Not everything dates from the Kipling era.

Top: Present day postcards and leaflet (my display!). Middle: Close up of the postcards and a postal first day cover. Bottom: The postcards display case.

Also in the attic is a double fronted bookcase containing many many volumes of Kipling biography and criticism. It’s a separate collection of British, US and some French books donated to Naulakha. Most of the information that I absorbed about the author and his New England home came from the box file of notes which contained the House Tour, the very detailed notes of submission for the house to be included on the [US] National Register of Historic Places and magazine and newspaper articles; from the museum information boards and from the 96 page The Hated Wife ; Carrie Kipling, 1862-1939 by Adam Nicolson and published in the short lives series by Short Books in 2001. Lent to me by a friend (and reader here) it sums up the Kipling life stories but left me still sympathetic to Caroline and, of course, their tragic lives which included the early deaths of two of their three children.

Rudyard Kipling never built any other homes for himself and eventually settled in a 17th century house in the Sussex Weald. He lived there for 32 years from 1902 to 1936. Since 1940 it has been in the ownership of The National Trust. How I long to visit Bateman’s.

Josephine Kipling died of influenza in New York in 1899 as the family were on their way to visit Caroline’s mother in New England. Kipling was very ill at the same time and after his recovery they returned to the UK. They were never to revisit New England and their beloved Naulakha was sold.

Do watch, if you haven’t already, the 2007 BBC film ‘My Boy Jack’.

‘My Boy Jack’

1914-18

“HAVE you news of my boy Jack? “

Not this tide.
“When d’you think that he’ll come back?”
Not with this wind blowing, and this tide.
“Has any one else had word of him?”
Not this tide.
For what is sunk will hardly swim,
Not with this wind blowing, and this tide.

“Oh, dear, what comfort can I find?”
None this tide,
Nor any tide,
Except he did not shame his kind—
Not even with that wind blowing, and that tide.

Then hold your head up all the more,
This tide,
And every tide;
Because he was the son you bore,
And gave to that wind blowing and that tide.

So you see how Bliss turned to Tragedy for Rudyard and Carrie Kipling.

The Complete [Water] Works of Rudyard Kipling

Sep29

Writing my description of the House Tour of Naulakha yesterday I purposely omitted any mention of bathrooms. I thought that they deserved a separate post of their own.

A quick deviation to books here before I start on bathroom descriptions. Compared with all other Landmarks that I’ve visited the library (like the house itself) is h-u-g-e. In fact, it could be called a library (as in room) if it were not already called a study. Bookshelves fill all wall space not already occupied by desk, couch and fireplace. There is the usual couple of shelves of local and house related books but in addition there are full sets of classic authors – Hawthorne, Austen, Scott – unfortunately no Edith Wharton (more about her later) and there are many ‘old’, but no less interesting I’m sure, books. In addition there are, as you might suppose, several runs of The Complete Works of Rudyard Kipling.

From the House Tour notes :

CENTRAL BATHROOMS

The Kiplings had one L-shaped bathroom. The Holbrooks divided this in two and made a pair of complete bathrooms. We left the latter arrangement as more suitable to modern usage. The toilet in the middle bath and the tub in the south bath are original.

We didn’t dare to use it!

We know it’s RK’s bath because it has his nameplate on it :

The fixtures all required re-nickeling.

One of the servant’s rooms was converted to a bathroom by the Holbrooks. The Trust removed the concrete floor that had been installed during these alterations, and replaced it with tile in a typical turn-of-the-century design.

In amongst the local/house related books I found :

It’s a fascinating study of bathrooms but I can’t believe it dates all the way back to the early 1900s. It’s a reprint, but even so … I’m sure this would not be Rudyard Kipling choosing his sanitary wear.

Or even the Holbrooks – theirs is far too complicated :

Naulakha : a tour of Rudyard Kipling’s New England home

Sep28

For a whole week from 7th to 14th September I was immersed in Kiplingiana. I stayed at Naulakha near Brattleboro Vermont and enjoyed chota pegs on Rudyard Kipling’s verandah, ate vegetable curry at his dining table, slept in his (and his wife Carrie’s) bedroom, relaxed in his bath, read his books in the study where he wrote some of them and wrote postcards home from his desk for Naulakha is a Landmark Trust USA property and anyone can book to stay to there.

In a box file in the study is a typescript House Tour Guide so I have adapted this and added my own photographs in order to take you on a tour of this wonderful house.

BACKGROUND

Naulakha is a Hindi word that means ‘great jewel’. It was built in 1892-1893 on an 11 acre plot that the Kiplings bought from Beatty Balestier, Mrs Kipling’s brother. Henry Rutgers Marshall of New York was the architect who carried out Rudyard Kipling’s wishes. The house, described as a ship by Kipling, is 90 feet by 22 feet with the rooms facing the lovely view over the Connecticut River valley; a hallway runs along the uphill side.The windows are large and were called “lavish and wide” by Kipling. The house cost just over $11,000 and is the only one built by Kipling.

ENTRY HALL AND LOGGIA

The interior walls forming these rooms were removed by later owners, the Holbrooks, in order to create a large, open central space. Rudyard Kipling himself said that the Loggia was “the joy of the house” so its reinstatement was important. Fortunately, the original pocket doors and ash panelling were discovered in a barn up the road. The two brown wicker chairs are original.

MRS KIPLING’S STUDY

Visitors wishing to see Rudyard had to pass through this room. Carrie diligently protected her husband’s work time and privacy – so effective was Mrs K that this became known as the ‘dragon’s chamber’. The picture ‘The camel corps’ and illustrations from Mrs Hauksbee stories are original.

The lithograph of Kipling is based on the oil painting by his cousin Philip Burne-Jones which now hangs in the National Portrait Gallery in London. Philip and Rudyard made this lithograph.

RUDYARD KIPLING’S STUDY

Most of the bookcases are original including the revolving case. The inscription over the fireplace was done in 1893 by Rudyard’s father, John Lockwood Kipling and is from the Gospel of St John.

“The Night Cometh When No Man Can Work”

In this room Rudyard Kipling wrote the Jungle Books, Captains Courageous, A Day’s Work and The Seven Seas. He also began Kim and the Just So Stories.

The original leather couch is too frail to leave out. The decorative screen in the bay window is likely from Kashmir. The bookcases and stained glass panels on the west wall were added to ensure privacy.

MAIN STAIRCASE

This is the original oil light fixture, later electrified by the Holbrooks. Most of the pictures on the first floor landing are original.

GUEST BEDROOM

At the top of the main flight of stairs is the main guest room. Sir Arthur Conan Doyle and William James (brother of novelist Henry) are two famous guests who have slept here.

MASTER BEDROOM

This was the bedroom of Rudyard and Carrie Kipling.

NURSERY

This is divided into the day and the night nurseries. The decorative plaster work in the day nursery was done by John Lockwood Kipling for his first granddaughter, Josephine. It was for Josephine that the Just So Stories were composed. Jospehine was born down the road at Bliss Cottage in 1892. Elsie Kipling was born in Naulakha in 1896.

ATTIC

There is a large playroom used by the Kiplings (still a games room today) and a small bedroom (now houses display cases and a book collection) probably used by the maid.

SERVANTS ROOMS

The north end of the house was for servants’ use. One of the sernants’ bedrooms was converted to a bathroom by the Holbrooks. The bedroom furniture is not original. There are no records of how these rooms were furnished.

KITCHEN

The layout is original including the stove hood and hearth stone. The small windows to the east of the stove allowed light but did not allow the servants to see the Kiplings on the small porch. The Holbrooks used this room as a study and moved the kitchen to the basement. The Trust have restored it to its original ground floor location.

DINING ROOM

The table and china cabinet are original The sideboard was built for the Kiplings in New York with panels brought from India. Most of the dining chairs are too fragile to use and were, in fact, broken over the years; they are currently in storage. The stained glass is original except for one panel which was broken. The small porch was built as a fun space and gives the feeling of being on a ship’s deck.

THE GROUNDS

The tennis court and small gazebo (called ‘the summerhouse’ by the Kiplings) were built by the Kiplings.

The small gabled building along the driveway was the Kiplings’ ice house. The house behind was originally the carriage house with living quarters above for the coachman, Matthew Howard, and his family.

The barn, which now houses displays of Kipling’s years in Vermont, was built by the Kiplings in 1896. No other buildings are from the time of the Kiplings. The layout of the garden walls is the same as for the Kiplings, although all of the walls have collapsed at different times over the years and been rebuilt.

An Eighteenth Century American Polymath in London : Benjamin Franklin

Aug20

On Friday I joined my sister for a weekend break in London. Right now London is riding on the crest of the Olympic Games wave and there’s evidence everywhere that the Games have just taken place and the Paralympics are due to begin in about ten days’ time. We checked in at our bargain priced four star hotel in the City early on Friday and shared ideas on where to go and what to do. My first suggestion, taken from Quiet London by Siobhan Wall, was to call and make a booking to visit Benjamin Franklin House.

We’d both come across Franklin in a vague sort of way on our various trips to Boston and New England but we really knew nothing much about him. Our visit to 36, Craven Street right next door to Charing Cross Station was to change all that.

Craven Street, WC2

Here’s a brief resumé of his career in England taken from the Benjamin Franklin House website.

“While lodging at 36 Craven Street, Franklin’s main occupation was mediating unrest between Britain and America, but he also served as Deputy Postmaster for the Colonies; pursued his love of science (exploring bifocal spectacles, the energy-saving Franklin stove); explored health (inoculation, air baths, cures for the common cold); music (inventing the delightful glass armonica for which Mozart, Bach and Beethoven composed) and letters (articles, epitaphs, and his witty Craven Street Gazette), all while forging a hearty social life and close friendships with leading figures of the day.”

Franklin lived at 36 Craven Street between 1757 and 1775

Benjamin Franklin House, 36, Craven Street, London, WC2

The Historical Experience brings to life the years that Franklin spent in London lodging in this house with Mrs Margaret Stephenson and her daughter Polly, later to be joined by Polly’s husband William Hewson (in 1770) who ran an anatomy school on the premises. The Historical Experience is based on Franklin’s last day at the house (20 March 1775) and we followed the actress as Polly around the house from room to room as the drama unfolded with use of lighting, sound and visual projection.

The house itself held great interest for us. It was so very like 13, Princelet Street in Spitalfields where we stayed last January. Both houses were built in the first half of the eighteenth century and have a very similar design and layout and have managed to survive with surprisingly many of their original fixtures and fittings in place.

The Hall, Benjamin Franklin House

The rear of Benjamin Franklin House

The Friends of Benjamin Franklin House rescued the house from its dire condition at the end of the last century and after a great deal of hard work the Grade 1 listed Georgian building was opened to the public on 17 January 2006 which was 300 years to the day since the birth of Benjamin Franklin. Miraculously it is the only surviving house on the street. From the front this is not at all obvious but at the back the neighbouring houses are all of new brick.

“A house is not a home unless it contains food and fire for the mind as well as the body.”
Read more athttp://www.brainyquote.com/quotes/authors/b/benjamin_franklin.html#VtV0qrzico5gm2OK.99

Landmark Visiting In Deepest Norfolk

Jul27

Landmark Trust properties are usually very easy to find. For each stay you are always sent meticulous instructions which in some cases may be totally unnecessary but on other occasions you really do wonder whether the building will ever materialise. As we drove further and further off the beaten track in South Norfolk this morning along narrow lanes, with grass growing down the middle, we did wonder if we were ever going to find our quest. Suddenly, on the other side a big field we spotted Manor Farm “in the pink” just as my friend’s directions suggested!

We were visiting the Norfolk Landmark – Manor Farm – on changeover day. The housekeeper very kindly allowed us to have a quick peep around and I must say it is a lovely old building in which one would very quickly feel at home. The Landmark staples are all there plus the advantage of peace and quiet and a lovely big grassy garden. There is birdsong and there are wildflowers. You are truly in the depths of the countryside.

I took a particular interest in the Library at Manor Farm as Norfolk is my county of birth and I grew up and lived there for my first 18 years. I’ve read and I own lots of books about Norfolk and it’s always fascinating to see another’s take on what’s considered to be the essential reading matter for one’s own county.

I’d expect to see Henry Williamson’s The story of a Norfolk Farm and Ketton-Cremer’s A Norfolk Gallery. I love Susan Hill’s Through the Kitchen Window which would make a good addition to all country Landmarks. I know nothing about The rabbit skin cap but it sounds very cosy!

Ha! I love the fact that a copy of The Manor Farm by M. E Francis was tracked down. First published in 1902 it has no Norfolk connection (as far as I am aware) but the title is very fitting. Another good one is A Frenchman in England, 1784 Francois de la Rochefoucauld’s account of his observations of Britain and its people whilst living in Bury St Edmunds.

There’s a life of Elizabeth Fry the Victorian woman prison reformer born of a quaker banking family at Earlham Hall in Norwich and I note a copy of Arnold Wesker’s play Roots. I bet all Norfolk school pupils in the 1960s had to read this play – I know we did – the accents came easy to us! I’m familiar with several R. H. Mottram books. I’ve read his The Spanish Farm and If stones could speak but I don’t know The window seat. Will have to investigate. He was a prolific writer on many topics. See the list of works here.

Parson Woodforde, The Go-Between, The Paston Letters all very necessary for Norfolk. And, oh yes, I’d definitely include works by Roger Deakin. That’s his Notes from Walnut Tree Farm at the end there. Excellent reading in this part of the country especially his Waterlog. I read this book when it first came out. With the subtitle A swimmer’s journey round Britain Deakin writes here about his travels around Britain swimming in lakes and rivers and the sea. The book begins by relating his daily swims in his own moat. Moats surround many old properties in South Norfolk and North Suffolk. Here’s a quiet reach of the local River Waveney in Bungay where Deakin enjoyed swimming.

Sadly, Roger Deakin died in 2006. It’s still possible to listen to his radio programme Cigarette on the Waveney.

On leaving Manor Farm we only got lost twice and had to check maps and turn back twice and puzzle over road signs before reaching the real world of Harleston, Bungay and Hempnall. No one gave us instructions for leaving the Landmark!

Spot the Difference : Chatsworth

Jul23

I love to visit Chatsworth! So much to see and do. Lots of art and lots of history. Famous people. Gardens and country house. Plus, you may take photos everywhere. Inside and outside there’s so much variety. It’s hard to decide just where to start.

The South and East Fronts today

The South and East fronts from my 1970s Guidebook

The best thing about my recent visit was meeting up with the online book discussion group friends. Hopefully we have now established a tradition of having a summer outing in the country alongside our winter/Christmas ‘party’ in town. The weather on the 10th July turned out to be abominable – weather alerts, floods, torrential rain – but we all managed to get to Chatsworth, eventually, although instead of a jolly picnic on the grass we had a delicious hot meal in the Carriage House Cafe. Now and again the rain stopped and we ventured into the gardens but we did spend quite some time in the house and made three visits to the Cafe.

During the 1950s, ’60s and early ’70s my granny and grandad used to visit stately homes travelling from Norwich at first by motorbike and sidecar and in later years in my uncle’s Austin A35. They travelled very long distances but always within the day as they never stayed away from home overnight. I now have the collection of guidebooks which they bought at the time and I have two for Chatsworth.

It’s interesting to look through my old guidebooks – most of which were published by Pitkin (but not the above Chatsworth guides)- comparing the houses as they were then and as they are when I visit. So I’ve made this the theme of my Chatsworth post today.

A couple of times during today’s tour of the house you pass through the Painted Hall. This year, with it being the Queen’s Diamond Jubilee Year, the Devonshire state chariot, used by the 11th Duke to attend the Coronation, is on display in there. I loved reading the little anecdote about the party getting lost on their way to attend the coronation in 1953.

The Painted Hall in 2012 with State Chariot on display

The Painted Hall and Tijou Balcony, 1970s

The Tijou Balcony today

From the Painted Hall and nearby corridor you can see out into an inner courtyard and the Tijou-designed balcony which would have been sparkling in the sunshine – had there been any!

Here is the Chapel today with its modern art and in the 1970s looking very traditional and rather OTT.

The Chapel Corridor now displays modern art sculptures and pots. I noticed a large group of Edmund de Waal pots on a mantlepiece.

One of the last rooms you visit on the tour today is the Dining Room :

Then there’s the sculpture gallery and the Orangerie now houses the shop.

My favourite wonder of Chatsworth is just a smallish painting. It’s a Trompe L’Oeil violin on the back of a door. Watch out for it next time you visit Chatsworth.

Trompe L’Oeil 2012

In my guidebook

Isn’t it amazing?

And finally, just to show that we did get into the gardens :

The Knot Garden

Herb beds in the Walled/Kitchen Garden

The Emperor Fountain

The Cascade

Freud’s Couch, Scott’s Buttocks, Bronte’s Grave

Jun7

What a title! It’s the title of the book I have just finished reading. It was written by Simon Goldhill. He’s Professor of Greek Literature and Culture and Fellow and Director of Studies in Classics at King’s College, Cambridge and in addition he is Director of the Cambridge Victorian Studies Group.

But despite all his academic qualifications the book is very readable and very personal to him. His premise is to visit the homes of authors to discover what it is that attracts pilgrims to want to visit these houses and to try to find out just what they get from such visits.

Encouraged by his publisher to “do something Victorian” he plumped for visiting writers’ houses but is extremely sceptical about his proposed ‘pilgrimage’. Apparently, such a tour was a very Victorian pastime and in the first chapter, “The Golden Ticket”, he tells of his intention to travel in as near a Victorian manner as possible and that unlike pilgrims he doesn’t wish to travel alone but with his wife and friends. Finally he lists which properties he’ll visit. He chose Sir Walter Scott’s Abbotsford in the Scottish Borders; Dove Cottage and Rydal Mount, William Wordsworth’s homes in the Lake District; the Bronte Parsonage at Haworth, here in West Yorkshire; William Shakespeare’s Birthplace in Stratford upon Avon; and finally, Freud’s House in Hampstead.

My impression after reading this book was that SG felt justified in his initial reaction that visiting writers’ homes was a pointless exercise and that the house/writer that got it most ‘right’ was Sir Walter Scott who built the house and decorated it intentionally in order to promote himself and his novels. His description of the visit to Abbotsford (and that of A. N. Wilson in my copy of Writers and their Homes) has encouraged me add it to my ‘list’.

“Abbotsford!” so writes A. N. Wilson “There is perhaps no writer’s house more expressive of its occupant’s literary personality. Indeed, one could say that Abbotsford was an extension of Scott’s oeuvre –an architectural Waverley novel, or a poem in stone of Border life and history.”

I love to visit authors’ homes but I never before thought of myself as a pilgrim. I suppose I like to visit houses full stop and the added attraction of it being an author’s home is that I can experience the atmosphere and see the surroundings that may (or may not) have influenced his or her work.

I have several books to help me in my choice of ‘pilgrimage’ to writers’ houses!

I would make quite a different choice for my own tour: Lamb House in Rye (Henry James); The Boat House at Laugharne (Dylan Thomas); Monk’s House at Rodmell in East Sussex; Kipling’s Bateman’s also in East Sussex; Thomas Hardy’s Higher Bockhampton and Max Gate, Dorchester.