
Harewood House. Today’s main entrance looks north and not over the park.
Every October The Ilkley Literature Festival in Yorkshire features a vast programme of talks, discussions and events from which it is difficult sometimes to choose just a couple. This year I had no problem with my selection and today’s choice includes more than one love of mine – books, country walking and a historic house visit: the ‘Capability’ Brown Walk.

Looking south over the parkland from the Terrace.
A mixed group of us met on Sunday morning in the grounds of Harewood House, just a few miles from Leeds, to follow on the heels of Head Gardener, Trevor Nicholson and author of the book “The Omnipotent Magician: Lancelot ‘Capability’ Brown, 1716-1783″, Jane Brown (no relation). We were all there to find out more about the eighteenth century landscape designer extraordinaire – ‘Capability’ Brown. Naturally, the focus today was Brown’s influence on the superb outlook from Harewood (pronounced Harwood) House. My pictures just don’t do the scene justice.

We were told that the ornamental parkland was set out in the 18th century by Brown. He came to Harewod in 1758 and proceeded to wave his magic wand over the next few years (helped by his Foremen and a large band of local labourers). This parkland is a fine example of Brown’s characteristic arrangements – native trees, gently sweeping hillsides, a lake. He got rid of all field boundaries and each and every tree is located just where Brown decided it would have the most impact. Hahas were dug in order to restrict the movement of the sheep, deer and other animals.

The Haha also forms a drainage conduit.
The original manor house (Gawthorpe Hall) had been demolished and during the time that Brown was working here a new house was being built by John Carr of York and Robert Adam on a spur of land looking south. Part of Brown’s plan was to create a carriage drive to the house in order to impress visitors arriving from London.

After admiring the view we were taken down this drive (which is not open to the general public) from where we gained glimpses of the house as visitors would have done since the 1770s. Brown’s plan was to improve on nature and it resulted in our typical English countryside. This is recognised as a truly English style and contrasted greatly with the French formal style. Of course, later the Victorians made changes to both the house and the gardens, but fortunately not to the park.

The Carriage Drive today as it emerges from the woodland.
Not only did he pay attention to views and aspects but also planned cascades under bridges for the sound effects! Everything was done to impress visitors.

Cascade by the Rough Bridge
Brown seems to have had a boundless supply of energy. He travelled around the country visiting projects, extolling on the virtues of views and their ‘capability’ for improvement, collecting his fees and, according to Jane, took on at least 200 major projects.
Our walk took us across the fields by the lake in front of the house and through some delightfully wooded gardens back to the house itself where a sandwich lunch was served in the Steward’s Room where “Capability’ himself would have been entertained on his visits to Harewood. Yet again no photography is allowed in the House!